The landscape of urban modernity, or the world that our grandparents grew up in, is defined by the volume and density of verbal and pictorial communication. Entire industries centre on it: news, marketing and advertising, and much of design.
packaging
Hidden In Plain View: Physique
First published in a slightly modified form ‘Physique’ in Business Standard, 17 November, in Deep Design, a fortnightly column by Itu Chaudhuri.
Brands place a premium on attention, firing images and words shaped into messages to inform and persuade. Indeed, we live amidst a war for our attention, an exquisitely perishable wisp that lives in the now.
The Currency of Design
First published in a slightly modified form ‘The Currency of Design’ in Business Standard, 19 November, in Deep Design, a fortnightly column by Itu Chaudhuri.
“I refuse to add to the chorus,” said DOPE, as the the Designer Of Practically Everything was known to his colleagues, “dissing the Rs 2000 note’s design. Instead, let’s treat it as an occasion to ask explore what design means.”
Making Sense of Election Symbols
By themselves, symbols mean nothing. It takes prior knowledge to associate, purely by convention, a white-tipped cane with its blind owner. More connotative symbols acquire meaning by social processes. In an English storybook, a cock may announce the break of day, while its Indian cousin, the murga, may identify a certain type of tandoori joint. Each of these uses a code, a script that tells us what the once-arbitrary symbol means in a particular context.





